Los Olivos is a reinterpretation of the typical picnic table and bench set. It's 3 meters long and it's made of solid iroko.
Los Olivos train set
More Work
And here is a random and condensed selection of various other works completed in recent years:
Bonay Hello, 2015.Ikea Vitra Vitra Ikea, 2021.Lucas, 2018.Mesa DAC, 2022.Leon, 2022.Firma Black, 2017.Muri, 2015.AOO bag, 2015.Red & Green, 2022.Brown, 2021.Mountain, 2016.Narrow shop, 2020.Boisbuchet workshop, 2023.Mesón, 2014.Ari's, 2017.Shelving System III, 2021.Yellow, 2017.Shelving System IV, 2022.Valsells, 2022.Rosca (Light attempt), 2016.Sabadell, 2019.Ibon Kitchen, 2018.Bluejey, 2015.Shelving System IV Groc, 2022.Atico Kitchen, 2019.Peana Ricard, 2021.El Hombre de Sal, 2019.Superligera, 2022.Trineu FCB, 2018.Botijo Baldosa, 2024.L Table, 2021.Mari, 2022.Mesarraca, 2019.Mesa Gala, 2019.Pepa, 2021.Armario Alba, 2018.Pis O, 2017.Ari, 2021.Mana Mana Lima, 2022.Carabí, 2022.Save tables, 2018.Gordito, 2021.Pre 8, 2018.Mesas Baraja, 2022.Pieza 1 HP, 2005.Red Balls, 2021.Grada Groga, 2022.Cama Martín, 2020.Sofa Port, 2018.Telmo, 2018.Taco, 2022.Martín, 2020.Jabalí, 2016.Marta, 2020.Mesas Atico, 2019.Mel Gibson, 2015.Estantería Atico, 2019.Coeurs, 2020.Bendita Mesa, 2015.Green Kitchen, 2019.HTH, 2020.Shelving System I, 2019.Mesa Port, 2018.Shelving System II, 2021.Silla Arco, 2022.Mesa Camión, 2025.Inca, 2021.Mesa Forat, 2018.Aloha Freewall workshop, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesa Elefante, 2018.My Body Office, 2021.Biografia Antoni Arola, 2015.Frontón, 2017.Blau, 2022.Mesas de Choque, 2021.Bar en una botella, 2023.Ping Pong Ping, 2018.Colgador Bolas, 2023.Window Panels, 2018.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.