Cadira is a DIY chair made of solid pine, using the same wooden slat (20x60mm).
Cadireta was the little chair that came before the CadiraIllustration by Robbie Whitehead
More Work
And here is a random and condensed selection of various other works completed in recent years:
Shelving System IV Groc, 2022.Biografia Antoni Arola, 2015.Armario Alba, 2018.Inca, 2021.Muri, 2015.Telmo, 2018.Pepa, 2021.Six Pack, 2024.Aloha Freewall workshop, 2022.Carabí, 2022.Mesa Elefante, 2018.Firma Black, 2017.Ibon Kitchen, 2018.Coeurs, 2020.Mana Mana Lima, 2022.Mesa Port, 2018.Ari's, 2017.Estantería Atico, 2019.HTH, 2020.Silla Arco, 2022.Shelving System I, 2019.Mountain, 2016.Grada Groga, 2022.Colgador Bolas, 2023.Lucas, 2018.Narrow shop, 2020.Ari, 2021.Rosca (Light attempt), 2016.Boisbuchet workshop, 2023.Taco, 2022.My Body Office, 2021.Mesa Forat, 2018.Gordito, 2021.Bonay Hello, 2015.Peana Ricard, 2021.Mel Gibson, 2015.Mesas Atico, 2019.Mesas Baraja, 2022.Botijo Baldosa, 2024.L Table, 2021.Pis O, 2017.Red Balls, 2021.Bluejey, 2015.Mesas de Choque, 2021.Yellow, 2017.Mari, 2022.Red & Green, 2022.El Hombre de Sal, 2019.Shelving System IV, 2022.Frontón, 2017.Martín, 2020.Pieza 1 HP, 2005.Ikea Vitra Vitra Ikea, 2021.Bar en una botella, 2023.Leon, 2022.Atico Kitchen, 2019.Bendita Mesa, 2015.Ping Pong Ping, 2018.Valsells, 2022.Mesa Gala, 2019.Brown, 2021.Window Panels, 2018.Superligera, 2022.Shelving System III, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesa Camión, 2025.Mesarraca, 2019.Jabalí, 2016.Green Kitchen, 2019.Trineu FCB, 2018.Marta, 2020.Blau, 2022.Cama Martín, 2020.Pre 8, 2018.Mesón, 2014.Sabadell, 2019.AOO bag, 2015.Save tables, 2018.Shelving System II, 2021.Sofa Port, 2018.Mesa DAC, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.