Olmo is a set of stackable MDF boxes with double layers and inverted colors.
O are containers made from simple wooden structures and leather around their entire perimeter. In a way, they were a previous step before reaching Olmo.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Armario Alba, 2018.Frontón, 2017.Mesa DAC, 2022.Yellow, 2017.Botijo Baldosa, 2024.Pis O, 2017.Bar en una botella, 2023.Ikea Vitra Vitra Ikea, 2021.Peana Ricard, 2021.Shelving System III, 2021.Mari, 2022.Bluejey, 2015.Ari's, 2017.Pieza 1 HP, 2005.Mesarraca, 2019.Mesas Baraja, 2022.Gordito, 2021.Red Balls, 2021.Estantería Atico, 2019.Taco, 2022.AOO bag, 2015.Mel Gibson, 2015.Window Panels, 2018.Save tables, 2018.Pre 8, 2018.Firma Black, 2017.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Boisbuchet workshop, 2023.Mesón, 2014.Ari, 2021.Grada Groga, 2022.Sabadell, 2019.Shelving System II, 2021.Shelving System IV Groc, 2022.Colgador Bolas, 2023.Green Kitchen, 2019.Trineu FCB, 2018.Pepa, 2021.Sofa Port, 2018.Mesa Port, 2018.Blau, 2022.Shelving System I, 2019.Coeurs, 2020.Carabí, 2022.Mesas de Choque, 2021.Jabalí, 2016.Mesa Camión, 2025.Muri, 2015.Mesas Atico, 2019.Lucas, 2018.Mesa Gala, 2019.Mesa Elefante, 2018.Rosca (Light attempt), 2016.Ibon Kitchen, 2018.Valsells, 2022.Aloha Freewall workshop, 2022.Bendita Mesa, 2015.Leon, 2022.Silla Arco, 2022.Mana Mana Lima, 2022.El Hombre de Sal, 2019.Red & Green, 2022.Mountain, 2016.Cama Martín, 2020.Narrow shop, 2020.Martín, 2020.Bonay Hello, 2015.Telmo, 2018.Biografia Antoni Arola, 2015.Marta, 2020.Atico Kitchen, 2019.Mesa Forat, 2018.Superligera, 2022.Ping Pong Ping, 2018.Brown, 2021.HTH, 2020.Inca, 2021.My Body Office, 2021.L Table, 2021.Shelving System IV, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.