The Campos chair is a reinterpretation of a popular design, maintaining the materials and its traditional manufacturing system, modifying only a series of measurements and proportions to make it somewhat more comfortable and fresh.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Cama Martín, 2020.Bluejey, 2015.Atico Kitchen, 2019.Lucas, 2018.Green Kitchen, 2019.Colgador Bolas, 2023.Gordito, 2021.Six Pack, 2024.Leon, 2022.Mesas de Choque, 2021.Superligera, 2022.Boisbuchet workshop, 2023.Muri, 2015.Mesas Atico, 2019.Red Balls, 2021.Mesa Forat, 2018.Pieza 1 HP, 2005.Mesa Port, 2018.Ari's, 2017.Mel Gibson, 2015.Shelving System I, 2019.Estantería Atico, 2019.Valsells, 2022.Brown, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesa Gala, 2019.Mesa DAC, 2022.Botijo Baldosa, 2024.Telmo, 2018.Mesarraca, 2019.Carabí, 2022.Mesa Camión, 2025.AOO bag, 2015.Silla Arco, 2022.Ping Pong Ping, 2018.Yellow, 2017.My Body Office, 2021.Biografia Antoni Arola, 2015.Narrow shop, 2020.Shelving System IV Groc, 2022.Pre 8, 2018.Window Panels, 2018.Red & Green, 2022.Ibon Kitchen, 2018.Blau, 2022.Sofa Port, 2018.Sabadell, 2019.Bar en una botella, 2023.Aloha Freewall workshop, 2022.Rosca (Light attempt), 2016.Pepa, 2021.Taco, 2022.Coeurs, 2020.Shelving System III, 2021.Mesa Elefante, 2018.Bonay Hello, 2015.Shelving System II, 2021.El Hombre de Sal, 2019.Grada Groga, 2022.Bendita Mesa, 2015.Mana Mana Lima, 2022.Mesas Baraja, 2022.Mesón, 2014.Firma Black, 2017.Ikea Vitra Vitra Ikea, 2021.Inca, 2021.Mari, 2022.L Table, 2021.Peana Ricard, 2021.Shelving System IV, 2022.Marta, 2020.Jabalí, 2016.Frontón, 2017.Mountain, 2016.HTH, 2020.Ari, 2021.Martín, 2020.Pis O, 2017.Save tables, 2018.Trineu FCB, 2018.Armario Alba, 2018.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.