Red and Blue and Yellow and Black versionButaca 8 and Ottoman 8 NaturalBeech version
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mel Gibson, 2015.Ikea Vitra Vitra Ikea, 2021.Shelving System IV Groc, 2022.Green Kitchen, 2019.Sofa Port, 2018.Shelving System I, 2019.Mesa DAC, 2022.Mesón, 2014.Save tables, 2018.Muri, 2015.Firma Black, 2017.Mesas Atico, 2019.L Table, 2021.Trineu FCB, 2018.Mana Mana Lima, 2022.Blau, 2022.Taco, 2022.Estantería Atico, 2019.Red & Green, 2022.Pieza 1 HP, 2005.Mesa Elefante, 2018.Mesas Baraja, 2022.Carabí, 2022.Mesarraca, 2019.Pre 8, 2018.Colgador Bolas, 2023.Mesa Forat, 2018.Ping Pong Ping, 2018.AOO bag, 2015.Mountain, 2016.Frontón, 2017.Botijo Baldosa, 2024.Six Pack, 2024.Gordito, 2021.Coeurs, 2020.My Body Office, 2021.Ibon Kitchen, 2018.Narrow shop, 2020.Mesa Camión, 2025.HTH, 2020.Bar en una botella, 2023.Yellow, 2017.Peana Ricard, 2021.Marta, 2020.Grada Groga, 2022.Shelving System IV, 2022.Shelving System III, 2021.Bluejey, 2015.Red Balls, 2021.Mesas de Choque, 2021.Mesa Port, 2018.Atico Kitchen, 2019.Pepa, 2021.Bonay Hello, 2015.Inca, 2021.Brown, 2021.Silla Arco, 2022.Pis O, 2017.Leon, 2022.Rosca (Light attempt), 2016.Jabalí, 2016.Lucas, 2018.Telmo, 2018.Bendita Mesa, 2015.Sabadell, 2019.Biografia Antoni Arola, 2015.Boisbuchet workshop, 2023.Mari, 2022.Window Panels, 2018.Cama Martín, 2020.Martín, 2020.Aloha Freewall workshop, 2022.Mesa Gala, 2019.Ari, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).El Hombre de Sal, 2019.Armario Alba, 2018.Ari's, 2017.Valsells, 2022.Shelving System II, 2021.Superligera, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.