Designed in 2016
Produced by AOO from 2016 to 2020. Since then, available on demand
Two heights: 60 and 75cm
Toro is a solid wood stool, particularly stable.
Delta edition made of wengue
More Work
And here is a random and condensed selection of various other works completed in recent years:
AOO bag, 2015.Yellow, 2017.Mesa DAC, 2022.Mesarraca, 2019.Shelving System IV, 2022.Taco, 2022.El Hombre de Sal, 2019.Superligera, 2022.Blau, 2022.Red & Green, 2022.Sofa Port, 2018.Mesón, 2014.Mesa Camión, 2025.Mesa Port, 2018.Martín, 2020.Shelving System II, 2021.Botijo Baldosa, 2024.Pre 8, 2018.Telmo, 2018.Shelving System IV Groc, 2022.Narrow shop, 2020.Atico Kitchen, 2019.Bluejey, 2015.Estantería Atico, 2019.Leon, 2022.Bar en una botella, 2023.Mari, 2022.Mountain, 2016.Ari's, 2017.Mesa Forat, 2018.Valsells, 2022.Armario Alba, 2018.Muri, 2015.Shelving System III, 2021.HTH, 2020.Brown, 2021.Pis O, 2017.My Body Office, 2021.Biografia Antoni Arola, 2015.Peana Ricard, 2021.Bendita Mesa, 2015.Jabalí, 2016.Silla Arco, 2022.Pieza 1 HP, 2005.Carabí, 2022.Bonay Hello, 2015.Rosca (Light attempt), 2016.Trineu FCB, 2018.Sabadell, 2019.Ikea Vitra Vitra Ikea, 2021.L Table, 2021.Frontón, 2017.Shelving System I, 2019.Red Balls, 2021.Mesas Atico, 2019.Inca, 2021.Ping Pong Ping, 2018.Lucas, 2018.Green Kitchen, 2019.Mel Gibson, 2015.Cama Martín, 2020.Mesa Gala, 2019.Ibon Kitchen, 2018.Mesa Elefante, 2018.Window Panels, 2018.Pepa, 2021.Coeurs, 2020.Save tables, 2018.Gordito, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesas de Choque, 2021.Ari, 2021.Boisbuchet workshop, 2023.Mana Mana Lima, 2022.Marta, 2020.Colgador Bolas, 2023.Firma Black, 2017.Grada Groga, 2022.Mesas Baraja, 2022.Aloha Freewall workshop, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.