Year: 2024, for Estudios Bolivia.
Available exclusively at Matèria.
This version of Tripo is the lightest of all the models. It's more of a small table than a stool, made of poplar plywood and solid koto. The cylinder connects the entire structure, serves as a handle for easy carrying, and acts as a visual cue to discourage sitting on it.
With Júlia and Jaume pieces for Estudios Bolivia ❤️This is Tripo Fat Black, its arch-nemesis and opposite
More Work
And here is a random and condensed selection of various other works completed in recent years:
Pre 8, 2018.Mesa DAC, 2022.Marta, 2020.Shelving System IV, 2022.Save tables, 2018.Mesa Elefante, 2018.Red & Green, 2022.Cama Martín, 2020.Armario Alba, 2018.Bluejey, 2015.Botijo Baldosa, 2024.Ibon Kitchen, 2018.Gordito, 2021.Martín, 2020.Telmo, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Narrow shop, 2020.Colgador Bolas, 2023.Coeurs, 2020.Red Balls, 2021.Biografia Antoni Arola, 2015.Shelving System IV Groc, 2022.Aloha Freewall workshop, 2022.Window Panels, 2018.Sofa Port, 2018.Boisbuchet workshop, 2023.Green Kitchen, 2019.Pepa, 2021.Valsells, 2022.Blau, 2022.Mesas Baraja, 2022.Brown, 2021.Bendita Mesa, 2015.El Hombre de Sal, 2019.Carabí, 2022.Taco, 2022.Mesón, 2014.Jabalí, 2016.Lucas, 2018.AOO bag, 2015.Superligera, 2022.Pis O, 2017.Grada Groga, 2022.Shelving System I, 2019.Mel Gibson, 2015.Ari's, 2017.Bar en una botella, 2023.Ari, 2021.Yellow, 2017.Mana Mana Lima, 2022.Estantería Atico, 2019.Muri, 2015.Firma Black, 2017.Peana Ricard, 2021.Mesa Forat, 2018.Shelving System III, 2021.Frontón, 2017.Mesas Atico, 2019.Rosca (Light attempt), 2016.Atico Kitchen, 2019.Leon, 2022.Mesa Camión, 2025.Sabadell, 2019.Mesa Gala, 2019.Trineu FCB, 2018.Mesas de Choque, 2021.Ping Pong Ping, 2018.Mesarraca, 2019.Shelving System II, 2021.Inca, 2021.Ikea Vitra Vitra Ikea, 2021.Bonay Hello, 2015.Pieza 1 HP, 2005.Mountain, 2016.My Body Office, 2021.Silla Arco, 2022.Mari, 2022.HTH, 2020.Mesa Port, 2018.L Table, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.