Estantería Palma is made of solid oak and steel rods. It’s easy to assemble and place the shelves at the desired level.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Pis O, 2017.Taco, 2022.Pieza 1 HP, 2005.L Table, 2021.Ari's, 2017.Frontón, 2017.Yellow, 2017.Silla Arco, 2022.Ikea Vitra Vitra Ikea, 2021.Narrow shop, 2020.Mesas Baraja, 2022.Atico Kitchen, 2019.Mesa Port, 2018.Inca, 2021.Gordito, 2021.Grada Groga, 2022.Mesa DAC, 2022.Trineu FCB, 2018.Bar en una botella, 2023.Sabadell, 2019.Aloha Freewall workshop, 2022.Mari, 2022.Ibon Kitchen, 2018.My Body Office, 2021.Marta, 2020.Mesarraca, 2019.Red & Green, 2022.Mesas Atico, 2019.Mesa Elefante, 2018.Mesa Forat, 2018.AOO bag, 2015.Bluejey, 2015.Bonay Hello, 2015.Jabalí, 2016.Shelving System IV, 2022.El Hombre de Sal, 2019.Peana Ricard, 2021.Red Balls, 2021.Green Kitchen, 2019.Mesas de Choque, 2021.Firma Black, 2017.Ari, 2021.Shelving System II, 2021.Ping Pong Ping, 2018.Mesón, 2014.Pre 8, 2018.Sofa Port, 2018.Martín, 2020.Bendita Mesa, 2015.Telmo, 2018.Shelving System III, 2021.Biografia Antoni Arola, 2015.Blau, 2022.Botijo Baldosa, 2024.Cama Martín, 2020.Muri, 2015.Shelving System IV Groc, 2022.Save tables, 2018.Window Panels, 2018.Lucas, 2018.Estantería Atico, 2019.Mel Gibson, 2015.Mesa Camión, 2025.Shelving System I, 2019.Carabí, 2022.Valsells, 2022.Armario Alba, 2018.Brown, 2021.Pepa, 2021.Superligera, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).HTH, 2020.Rosca (Light attempt), 2016.Mesa Gala, 2019.Colgador Bolas, 2023.Boisbuchet workshop, 2023.Mana Mana Lima, 2022.Leon, 2022.Coeurs, 2020.Mountain, 2016.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.