And here is a random and condensed selection of various other works completed in recent years:
Bonay Hello, 2015.Mesa Port, 2018.Jabalí, 2016.Ikea Vitra Vitra Ikea, 2021.Armario Alba, 2018.Superligera, 2022.Mesa Elefante, 2018.Mesa Gala, 2019.Colgador Bolas, 2023.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Coeurs, 2020.Gordito, 2021.Carabí, 2022.Atico Kitchen, 2019.Window Panels, 2018.Blau, 2022.Martín, 2020.Sabadell, 2019.Pieza 1 HP, 2005.Ari, 2021.Valsells, 2022.Brown, 2021.Lucas, 2018.Marta, 2020.Pepa, 2021.Mesas de Choque, 2021.Mana Mana Lima, 2022.Firma Black, 2017.Mesa Camión, 2025.Narrow shop, 2020.Taco, 2022.Shelving System III, 2021.Mesarraca, 2019.Muri, 2015.Frontón, 2017.Mesa Forat, 2018.Telmo, 2018.Green Kitchen, 2019.Silla Arco, 2022.Sofa Port, 2018.Shelving System IV, 2022.El Hombre de Sal, 2019.Mesón, 2014.Grada Groga, 2022.Shelving System IV Groc, 2022.Mel Gibson, 2015.Shelving System I, 2019.Mountain, 2016.Bar en una botella, 2023.Estantería Atico, 2019.Bluejey, 2015.Boisbuchet workshop, 2023.Shelving System II, 2021.Pis O, 2017.Cama Martín, 2020.Mesas Baraja, 2022.Red & Green, 2022.Biografia Antoni Arola, 2015.Ibon Kitchen, 2018.Ping Pong Ping, 2018.AOO bag, 2015.Trineu FCB, 2018.Pre 8, 2018.Mesas Atico, 2019.Peana Ricard, 2021.Rosca (Light attempt), 2016.Yellow, 2017.Ari's, 2017.Aloha Freewall workshop, 2022.Bendita Mesa, 2015.Mari, 2022.Inca, 2021.Botijo Baldosa, 2024.Mesa DAC, 2022.Leon, 2022.L Table, 2021.HTH, 2020.My Body Office, 2021.Red Balls, 2021.Save tables, 2018.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.