Cadira is a DIY chair made of solid pine, using the same wooden slat (20x60mm).
Cadireta was the little chair that came before the CadiraIllustration by Robbie Whitehead
More Work
And here is a random and condensed selection of various other works completed in recent years:
Jabalí, 2016.Blau, 2022.Mana Mana Lima, 2022.Shelving System I, 2019.Sabadell, 2019.Shelving System II, 2021.Boisbuchet workshop, 2023.Marta, 2020.Pre 8, 2018.Telmo, 2018.Mesón, 2014.Ikea Vitra Vitra Ikea, 2021.Red Balls, 2021.Pieza 1 HP, 2005.Window Panels, 2018.Botijo Baldosa, 2024.Ping Pong Ping, 2018.Leon, 2022.Save tables, 2018.Trineu FCB, 2018.Shelving System IV Groc, 2022.Narrow shop, 2020.Brown, 2021.Armario Alba, 2018.Atico Kitchen, 2019.Taco, 2022.Muri, 2015.Six Pack, 2024.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Carabí, 2022.Bluejey, 2015.Silla Arco, 2022.Bendita Mesa, 2015.Gordito, 2021.Mesa Gala, 2019.Ari, 2021.Superligera, 2022.Mesa DAC, 2022.Mesas de Choque, 2021.Grada Groga, 2022.Frontón, 2017.Mesas Baraja, 2022.Mesa Port, 2018.Mountain, 2016.Mel Gibson, 2015.Aloha Freewall workshop, 2022.Estantería Atico, 2019.Sofa Port, 2018.Inca, 2021.Martín, 2020.Green Kitchen, 2019.Ari's, 2017.Rosca (Light attempt), 2016.Shelving System III, 2021.L Table, 2021.Yellow, 2017.Cama Martín, 2020.Bar en una botella, 2023.Mesa Elefante, 2018.Pepa, 2021.Firma Black, 2017.Ibon Kitchen, 2018.Bonay Hello, 2015.AOO bag, 2015.Coeurs, 2020.Colgador Bolas, 2023.Mesarraca, 2019.Biografia Antoni Arola, 2015.My Body Office, 2021.Mesa Forat, 2018.Red & Green, 2022.Peana Ricard, 2021.Mesa Camión, 2025.Mesas Atico, 2019.Shelving System IV, 2022.Mari, 2022.HTH, 2020.Pis O, 2017.Valsells, 2022.Lucas, 2018.El Hombre de Sal, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.