Year: 2020, together with David Martí and Claudia Roselló for Marta Gallery.
Different basic pieces of solid beech lacquered in black that when joined together form a toilet paper holder.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Rosca (Light attempt), 2016.Mesa DAC, 2022.Mesas Baraja, 2022.Mesa Gala, 2019.Cama Martín, 2020.Mesa Camión, 2025.Sofa Port, 2018.Shelving System II, 2021.Red & Green, 2022.Biografia Antoni Arola, 2015.Pieza 1 HP, 2005.El Hombre de Sal, 2019.Shelving System IV, 2022.Mana Mana Lima, 2022.AOO bag, 2015.Pis O, 2017.Ari's, 2017.Bluejey, 2015.Taco, 2022.Aloha Freewall workshop, 2022.Grada Groga, 2022.Blau, 2022.Window Panels, 2018.Mesarraca, 2019.Mari, 2022.Yellow, 2017.Shelving System I, 2019.Narrow shop, 2020.My Body Office, 2021.Mesón, 2014.Boisbuchet workshop, 2023.Shelving System III, 2021.Trineu FCB, 2018.Mountain, 2016.Red Balls, 2021.Mesa Port, 2018.Carabí, 2022.Muri, 2015.Firma Black, 2017.Ibon Kitchen, 2018.Colgador Bolas, 2023.L Table, 2021.Sabadell, 2019.Mel Gibson, 2015.Mesa Forat, 2018.Leon, 2022.Estantería Atico, 2019.Green Kitchen, 2019.Botijo Baldosa, 2024.Mesas de Choque, 2021.Atico Kitchen, 2019.Bar en una botella, 2023.Martín, 2020.Silla Arco, 2022.Superligera, 2022.Mesa Elefante, 2018.Ikea Vitra Vitra Ikea, 2021.Save tables, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesas Atico, 2019.Inca, 2021.Ping Pong Ping, 2018.HTH, 2020.Telmo, 2018.Shelving System IV Groc, 2022.Armario Alba, 2018.Brown, 2021.Gordito, 2021.Bendita Mesa, 2015.Bonay Hello, 2015.Ari, 2021.Valsells, 2022.Peana Ricard, 2021.Frontón, 2017.Lucas, 2018.Pepa, 2021.Marta, 2020.Pre 8, 2018.Coeurs, 2020.Jabalí, 2016.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.