Year: 2014
Produced by AOO from 2014 to 2020. Since then, available on demand
Delta version made of wengueNatural, grey and white basic versionsNew York settingChicago settingLos Angeles settingNormales was a previous collection of basic pieces that inspired the final version of the 3MONormales collection had a cable-rollUrna conejera para Andreu y Berto en NSN.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Red & Green, 2022.Biografia Antoni Arola, 2015.Mana Mana Lima, 2022.AOO bag, 2015.Marta, 2020.Mesa Port, 2018.Bar en una botella, 2023.Muri, 2015.Inca, 2021.Mesa Camión, 2025.Mountain, 2016.Lucas, 2018.Narrow shop, 2020.Mesa Elefante, 2018.HTH, 2020.Armario Alba, 2018.Shelving System I, 2019.Aloha Freewall workshop, 2022.Gordito, 2021.Mesas de Choque, 2021.Cama Martín, 2020.Valsells, 2022.Green Kitchen, 2019.Bluejey, 2015.Taco, 2022.Botijo Baldosa, 2024.Boisbuchet workshop, 2023.Mesa Forat, 2018.Mesarraca, 2019.Brown, 2021.Mari, 2022.Shelving System III, 2021.Save tables, 2018.Ping Pong Ping, 2018.Carabí, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Coeurs, 2020.Pepa, 2021.Leon, 2022.Mel Gibson, 2015.Pieza 1 HP, 2005.Ari, 2021.Pis O, 2017.Jabalí, 2016.Ikea Vitra Vitra Ikea, 2021.Mesa DAC, 2022.Red Balls, 2021.Bendita Mesa, 2015.Shelving System IV, 2022.Superligera, 2022.El Hombre de Sal, 2019.Bonay Hello, 2015.Grada Groga, 2022.Silla Arco, 2022.Martín, 2020.Window Panels, 2018.My Body Office, 2021.Telmo, 2018.Firma Black, 2017.Mesas Atico, 2019.Yellow, 2017.Peana Ricard, 2021.Blau, 2022.Frontón, 2017.Rosca (Light attempt), 2016.Ari's, 2017.Ibon Kitchen, 2018.L Table, 2021.Colgador Bolas, 2023.Pre 8, 2018.Shelving System IV Groc, 2022.Sabadell, 2019.Shelving System II, 2021.Mesa Gala, 2019.Trineu FCB, 2018.Estantería Atico, 2019.Sofa Port, 2018.Mesón, 2014.Mesas Baraja, 2022.Atico Kitchen, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.