Both Rubí and Ibiza are simple box file cabinets. The cylindrical encounter of the bases of the boxes with the square guides of the structures is one of their most relevant characteristics.
Ibiza is made of green and blue MDF and solid pine and beechRubí is made of birch and poplar plywood and solid pine and beech
More Work
And here is a random and condensed selection of various other works completed in recent years:
Colgador Bolas, 2023.Shelving System II, 2021.Save tables, 2018.Aloha Freewall workshop, 2022.Ari, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Shelving System I, 2019.Cama Martín, 2020.Jabalí, 2016.Trineu FCB, 2018.Mesas de Choque, 2021.AOO bag, 2015.Gordito, 2021.Mesa Gala, 2019.Lucas, 2018.Muri, 2015.Mana Mana Lima, 2022.Boisbuchet workshop, 2023.Atico Kitchen, 2019.Shelving System IV Groc, 2022.Sofa Port, 2018.Window Panels, 2018.Grada Groga, 2022.Mesa Elefante, 2018.Narrow shop, 2020.Mesa Port, 2018.Blau, 2022.Martín, 2020.Ibon Kitchen, 2018.Marta, 2020.Green Kitchen, 2019.Firma Black, 2017.Mel Gibson, 2015.Mesas Baraja, 2022.Mesón, 2014.Ping Pong Ping, 2018.Ikea Vitra Vitra Ikea, 2021.Pepa, 2021.Sabadell, 2019.Carabí, 2022.Taco, 2022.Mesa Forat, 2018.Pre 8, 2018.Telmo, 2018.Superligera, 2022.Coeurs, 2020.Peana Ricard, 2021.Inca, 2021.Biografia Antoni Arola, 2015.Brown, 2021.Frontón, 2017.El Hombre de Sal, 2019.Valsells, 2022.Mountain, 2016.Rosca (Light attempt), 2016.Shelving System IV, 2022.HTH, 2020.Leon, 2022.Armario Alba, 2018.Bonay Hello, 2015.Yellow, 2017.Bendita Mesa, 2015.Bluejey, 2015.My Body Office, 2021.Silla Arco, 2022.Red & Green, 2022.Botijo Baldosa, 2024.Bar en una botella, 2023.Estantería Atico, 2019.Mesas Atico, 2019.Mesa DAC, 2022.Mari, 2022.Pieza 1 HP, 2005.Mesa Camión, 2025.Pis O, 2017.Shelving System III, 2021.L Table, 2021.Ari's, 2017.Mesarraca, 2019.Red Balls, 2021.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.