Year: 2015
Produced by AOO from 2015 to 2020. Since then, available on demand
First version of the LU table structure was made of solid pine
LU table structure is made of solid beech and allows you to absorb a table top from 120cm to 220cm.
Delta version made of wengue
More Work
And here is a random and condensed selection of various other works completed in recent years:
Trineu FCB, 2018.Mesa Port, 2018.Ping Pong Ping, 2018.Shelving System III, 2021.Save tables, 2018.Boisbuchet workshop, 2023.Window Panels, 2018.Ari, 2021.Yellow, 2017.Muri, 2015.Mesa Forat, 2018.Marta, 2020.Frontón, 2017.Pepa, 2021.Silla Arco, 2022.Jabalí, 2016.Shelving System IV Groc, 2022.Narrow shop, 2020.Mesas Atico, 2019.Botijo Baldosa, 2024.El Hombre de Sal, 2019.Shelving System I, 2019.Armario Alba, 2018.Superligera, 2022.HTH, 2020.My Body Office, 2021.Ikea Vitra Vitra Ikea, 2021.Colgador Bolas, 2023.Mana Mana Lima, 2022.Mesarraca, 2019.Mesa Camión, 2025.Estantería Atico, 2019.Telmo, 2018.Mesa Gala, 2019.Red Balls, 2021.Bonay Hello, 2015.Cama Martín, 2020.Ari's, 2017.Six Pack, 2024.Red & Green, 2022.Mesas de Choque, 2021.Sofa Port, 2018.Blau, 2022.Aloha Freewall workshop, 2022.Ibon Kitchen, 2018.Rosca (Light attempt), 2016.Mountain, 2016.L Table, 2021.Pieza 1 HP, 2005.Lucas, 2018.Bendita Mesa, 2015.Shelving System IV, 2022.Coeurs, 2020.Grada Groga, 2022.Green Kitchen, 2019.Mari, 2022.Inca, 2021.Carabí, 2022.Pis O, 2017.Shelving System II, 2021.Biografia Antoni Arola, 2015.Pre 8, 2018.Gordito, 2021.Martín, 2020.Bluejey, 2015.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mel Gibson, 2015.Mesa Elefante, 2018.Brown, 2021.Leon, 2022.Peana Ricard, 2021.Taco, 2022.Mesón, 2014.Valsells, 2022.Bar en una botella, 2023.Mesas Baraja, 2022.Firma Black, 2017.Sabadell, 2019.AOO bag, 2015.Mesa DAC, 2022.Atico Kitchen, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.