And here is a random and condensed selection of various other works completed in recent years:
Window Panels, 2018.Brown, 2021.Shelving System III, 2021.Ping Pong Ping, 2018.Ikea Vitra Vitra Ikea, 2021.Superligera, 2022.Shelving System IV, 2022.Sofa Port, 2018.Shelving System IV Groc, 2022.Save tables, 2018.Cama Martín, 2020.Telmo, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Taco, 2022.Bluejey, 2015.Bendita Mesa, 2015.Peana Ricard, 2021.Narrow shop, 2020.Atico Kitchen, 2019.Martín, 2020.Inca, 2021.Marta, 2020.Mesas Atico, 2019.Ibon Kitchen, 2018.Mesón, 2014.Mesa DAC, 2022.Ari's, 2017.Grada Groga, 2022.Valsells, 2022.Aloha Freewall workshop, 2022.Silla Arco, 2022.Yellow, 2017.Mesa Forat, 2018.Mesa Gala, 2019.Estantería Atico, 2019.Blau, 2022.Bar en una botella, 2023.Mel Gibson, 2015.Leon, 2022.My Body Office, 2021.Red & Green, 2022.Mesa Port, 2018.Rosca (Light attempt), 2016.Boisbuchet workshop, 2023.Gordito, 2021.Biografia Antoni Arola, 2015.Shelving System I, 2019.Bonay Hello, 2015.AOO bag, 2015.Frontón, 2017.Muri, 2015.Mesa Camión, 2025.Pieza 1 HP, 2005.Firma Black, 2017.Pis O, 2017.Colgador Bolas, 2023.Botijo Baldosa, 2024.Sabadell, 2019.Mesas Baraja, 2022.L Table, 2021.Mesarraca, 2019.Lucas, 2018.Mountain, 2016.El Hombre de Sal, 2019.Coeurs, 2020.Armario Alba, 2018.Mari, 2022.Jabalí, 2016.Mesas de Choque, 2021.HTH, 2020.Carabí, 2022.Mesa Elefante, 2018.Mana Mana Lima, 2022.Green Kitchen, 2019.Pre 8, 2018.Shelving System II, 2021.Pepa, 2021.Trineu FCB, 2018.Ari, 2021.Red Balls, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.