Year: 2020, together with David Martí and Claudia Roselló for Marta Gallery.
Different basic pieces of solid beech lacquered in black that when joined together form a toilet paper holder.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesas de Choque, 2021.Muri, 2015.Bar en una botella, 2023.Sabadell, 2019.Ibon Kitchen, 2018.Mesa Gala, 2019.Save tables, 2018.Valsells, 2022.Frontón, 2017.Telmo, 2018.Mesa Port, 2018.Rosca (Light attempt), 2016.Silla Arco, 2022.Gordito, 2021.Coeurs, 2020.Green Kitchen, 2019.Firma Black, 2017.Martín, 2020.Pepa, 2021.Red Balls, 2021.Mesa Camión, 2025.Trineu FCB, 2018.Sofa Port, 2018.Ari's, 2017.Grada Groga, 2022.Shelving System IV Groc, 2022.Marta, 2020.Mesarraca, 2019.L Table, 2021.Mesa Forat, 2018.Ari, 2021.Shelving System III, 2021.My Body Office, 2021.Ikea Vitra Vitra Ikea, 2021.Pieza 1 HP, 2005.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Aloha Freewall workshop, 2022.Colgador Bolas, 2023.Narrow shop, 2020.Window Panels, 2018.Leon, 2022.Boisbuchet workshop, 2023.Mesas Atico, 2019.Peana Ricard, 2021.Estantería Atico, 2019.Six Pack, 2024.Carabí, 2022.Bonay Hello, 2015.Yellow, 2017.Bendita Mesa, 2015.HTH, 2020.El Hombre de Sal, 2019.Mesa Elefante, 2018.Cama Martín, 2020.Atico Kitchen, 2019.Taco, 2022.Shelving System I, 2019.Pis O, 2017.Shelving System II, 2021.Shelving System IV, 2022.Pre 8, 2018.Biografia Antoni Arola, 2015.Armario Alba, 2018.Blau, 2022.Inca, 2021.Botijo Baldosa, 2024.Mel Gibson, 2015.Mesón, 2014.Mana Mana Lima, 2022.Bluejey, 2015.Red & Green, 2022.Superligera, 2022.Mari, 2022.Mountain, 2016.Lucas, 2018.AOO bag, 2015.Ping Pong Ping, 2018.Mesas Baraja, 2022.Mesa DAC, 2022.Jabalí, 2016.Brown, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.