Olmo is a set of stackable MDF boxes with double layers and inverted colors.
O are containers made from simple wooden structures and leather around their entire perimeter. In a way, they were a previous step before reaching Olmo.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Aloha Freewall workshop, 2022.Blau, 2022.Ibon Kitchen, 2018.Window Panels, 2018.Grada Groga, 2022.Sofa Port, 2018.Mesarraca, 2019.Leon, 2022.Estantería Atico, 2019.Ping Pong Ping, 2018.Peana Ricard, 2021.Cama Martín, 2020.Mesa Elefante, 2018.Lucas, 2018.Shelving System I, 2019.Frontón, 2017.Mesa Camión, 2025.Ari's, 2017.Brown, 2021.Inca, 2021.Martín, 2020.Mesa DAC, 2022.Mel Gibson, 2015.Ikea Vitra Vitra Ikea, 2021.Shelving System II, 2021.Pieza 1 HP, 2005.Bonay Hello, 2015.Mountain, 2016.Superligera, 2022.Pre 8, 2018.Red & Green, 2022.Mana Mana Lima, 2022.Bendita Mesa, 2015.Mesa Port, 2018.Yellow, 2017.Carabí, 2022.Marta, 2020.Shelving System IV, 2022.Ari, 2021.Mesas de Choque, 2021.Mesa Gala, 2019.Pis O, 2017.HTH, 2020.Narrow shop, 2020.Colgador Bolas, 2023.Mesa Forat, 2018.Bar en una botella, 2023.Botijo Baldosa, 2024.Atico Kitchen, 2019.Rosca (Light attempt), 2016.Jabalí, 2016.Trineu FCB, 2018.Valsells, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Coeurs, 2020.Gordito, 2021.Mari, 2022.Muri, 2015.Boisbuchet workshop, 2023.Shelving System IV Groc, 2022.Save tables, 2018.Green Kitchen, 2019.Red Balls, 2021.Armario Alba, 2018.L Table, 2021.El Hombre de Sal, 2019.Pepa, 2021.Mesas Baraja, 2022.Sabadell, 2019.AOO bag, 2015.Mesón, 2014.Taco, 2022.Mesas Atico, 2019.Firma Black, 2017.Telmo, 2018.Biografia Antoni Arola, 2015.Silla Arco, 2022.Shelving System III, 2021.Bluejey, 2015.My Body Office, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.