Designed in 2016
Produced by AOO from 2016 to 2020. Since then, available on demand
Two heights: 60 and 75cm
Toro is a solid wood stool, particularly stable.
Delta edition made of wengue
More Work
And here is a random and condensed selection of various other works completed in recent years:
Bonay Hello, 2015.Brown, 2021.Pis O, 2017.Mountain, 2016.Pieza 1 HP, 2005.Taco, 2022.Bluejey, 2015.Mesa Forat, 2018.Leon, 2022.Mesa DAC, 2022.Inca, 2021.Peana Ricard, 2021.El Hombre de Sal, 2019.Carabí, 2022.Superligera, 2022.Shelving System I, 2019.Marta, 2020.Mel Gibson, 2015.Ari's, 2017.Sabadell, 2019.Grada Groga, 2022.Blau, 2022.Biografia Antoni Arola, 2015.Lucas, 2018.Mari, 2022.Mesa Camión, 2025.Pepa, 2021.Mesa Port, 2018.Ikea Vitra Vitra Ikea, 2021.Narrow shop, 2020.Ibon Kitchen, 2018.Silla Arco, 2022.Mesas Baraja, 2022.Aloha Freewall workshop, 2022.Shelving System II, 2021.Mesón, 2014.Trineu FCB, 2018.Boisbuchet workshop, 2023.Bendita Mesa, 2015.Martín, 2020.Sofa Port, 2018.Estantería Atico, 2019.My Body Office, 2021.Mesa Gala, 2019.Mesa Elefante, 2018.Gordito, 2021.Ping Pong Ping, 2018.HTH, 2020.Mana Mana Lima, 2022.Coeurs, 2020.Telmo, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).L Table, 2021.Frontón, 2017.Window Panels, 2018.Valsells, 2022.Bar en una botella, 2023.Mesas de Choque, 2021.Botijo Baldosa, 2024.Colgador Bolas, 2023.Pre 8, 2018.Armario Alba, 2018.AOO bag, 2015.Rosca (Light attempt), 2016.Green Kitchen, 2019.Cama Martín, 2020.Red Balls, 2021.Firma Black, 2017.Mesarraca, 2019.Shelving System III, 2021.Shelving System IV, 2022.Red & Green, 2022.Muri, 2015.Atico Kitchen, 2019.Save tables, 2018.Yellow, 2017.Ari, 2021.Jabalí, 2016.Shelving System IV Groc, 2022.Mesas Atico, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.