Year: 2015
Produced by AOO from 2015 to 2020. Since then, available on demand
ATA is a bench system made up of 2 A-shaped leg structures that are joined to a T-shaped beam that can measure from 60 to 220cm in length.
Basic version is made of solid pineSpecial version lacquered in green for the Posidonia projectThe first and original version has beech legs and a pine beamDelta version made of wengue1st ATA drawing
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesas de Choque, 2021.Mountain, 2016.Mari, 2022.Armario Alba, 2018.Pieza 1 HP, 2005.Cama Martín, 2020.Mesa Port, 2018.Leon, 2022.Mesa Forat, 2018.Blau, 2022.Firma Black, 2017.Brown, 2021.Peana Ricard, 2021.Mel Gibson, 2015.Six Pack, 2024.Superligera, 2022.Red & Green, 2022.Bendita Mesa, 2015.Shelving System III, 2021.El Hombre de Sal, 2019.Pepa, 2021.Pis O, 2017.Rosca (Light attempt), 2016.Red Balls, 2021.Ping Pong Ping, 2018.Marta, 2020.Sofa Port, 2018.Ikea Vitra Vitra Ikea, 2021.Shelving System IV Groc, 2022.Inca, 2021.Coeurs, 2020.Ari's, 2017.Ari, 2021.Estantería Atico, 2019.Mesas Baraja, 2022.Mesón, 2014.L Table, 2021.Yellow, 2017.Bluejey, 2015.Mesa DAC, 2022.Shelving System IV, 2022.Ibon Kitchen, 2018.Martín, 2020.Gordito, 2021.Lucas, 2018.Botijo Baldosa, 2024.Telmo, 2018.Taco, 2022.Shelving System II, 2021.Mesa Gala, 2019.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Green Kitchen, 2019.Mesarraca, 2019.Mesa Camión, 2025.Sabadell, 2019.Save tables, 2018.Atico Kitchen, 2019.Mana Mana Lima, 2022.Pre 8, 2018.Grada Groga, 2022.Window Panels, 2018.Jabalí, 2016.Boisbuchet workshop, 2023.Valsells, 2022.My Body Office, 2021.Frontón, 2017.Mesa Elefante, 2018.Narrow shop, 2020.AOO bag, 2015.Silla Arco, 2022.Muri, 2015.Colgador Bolas, 2023.Shelving System I, 2019.Biografia Antoni Arola, 2015.Carabí, 2022.Bonay Hello, 2015.Mesas Atico, 2019.Trineu FCB, 2018.Aloha Freewall workshop, 2022.HTH, 2020.Bar en una botella, 2023.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.