Pepi's kitchen is a very easy and very difficult exercise. As a food designer, her kitchen is her sanctuary, and almost unintentionally, that's how it turned out. It's a kitchen based on conversations, where the content and the container form a better team than ever.
It's very green, very solid wood (beech mostly) and for some reason, not sought after, it kindly reminds us of the interior of a ship.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Six Pack, 2024.Red & Green, 2022.Mari, 2022.Taco, 2022.Aloha Freewall workshop, 2022.Marta, 2020.Mesa Gala, 2019.Peana Ricard, 2021.Mesa Forat, 2018.Carabí, 2022.Lucas, 2018.Bonay Hello, 2015.Botijo Baldosa, 2024.Mesa Camión, 2025.Frontón, 2017.Telmo, 2018.Shelving System III, 2021.Atico Kitchen, 2019.Silla Arco, 2022.Leon, 2022.Yellow, 2017.Jabalí, 2016.Ari's, 2017.Mesa DAC, 2022.Biografia Antoni Arola, 2015.Rosca (Light attempt), 2016.Shelving System IV Groc, 2022.Mesa Port, 2018.Estantería Atico, 2019.Pepa, 2021.Save tables, 2018.Ari, 2021.Narrow shop, 2020.Shelving System II, 2021.Inca, 2021.Gordito, 2021.Valsells, 2022.Green Kitchen, 2019.Mountain, 2016.L Table, 2021.Cama Martín, 2020.Muri, 2015.Superligera, 2022.Grada Groga, 2022.Firma Black, 2017.Bendita Mesa, 2015.Mel Gibson, 2015.Mesarraca, 2019.Blau, 2022.Sabadell, 2019.Brown, 2021.Coeurs, 2020.Trineu FCB, 2018.El Hombre de Sal, 2019.HTH, 2020.Mesas Atico, 2019.Mana Mana Lima, 2022.Shelving System I, 2019.Pre 8, 2018.Armario Alba, 2018.Bluejey, 2015.Pieza 1 HP, 2005.Mesas de Choque, 2021.Boisbuchet workshop, 2023.AOO bag, 2015.Window Panels, 2018.Shelving System IV, 2022.Mesón, 2014.Ikea Vitra Vitra Ikea, 2021.Colgador Bolas, 2023.Mesas Baraja, 2022.Sofa Port, 2018.Red Balls, 2021.Martín, 2020.Pis O, 2017.Ping Pong Ping, 2018.Mesa Elefante, 2018.My Body Office, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Ibon Kitchen, 2018.Bar en una botella, 2023.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.