The Capicua coffee table allows you two views of the same piece of furniture, with a white or black surface, depending on the choice.
The piece is made of a solid oak structure and lacquered MDF tops.
An original version in red and beech was the first model made for a particular client.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Yellow, 2017.Peana Ricard, 2021.Mesas de Choque, 2021.Sabadell, 2019.Pis O, 2017.Telmo, 2018.Sofa Port, 2018.Muri, 2015.Marta, 2020.Valsells, 2022.Martín, 2020.Ping Pong Ping, 2018.Gordito, 2021.Estantería Atico, 2019.Shelving System I, 2019.Firma Black, 2017.Mesarraca, 2019.Coeurs, 2020.Mesa DAC, 2022.El Hombre de Sal, 2019.Mesa Elefante, 2018.L Table, 2021.Bar en una botella, 2023.Ibon Kitchen, 2018.Mesa Port, 2018.Grada Groga, 2022.Mesa Forat, 2018.Narrow shop, 2020.Leon, 2022.Silla Arco, 2022.Botijo Baldosa, 2024.Red & Green, 2022.Mountain, 2016.Rosca (Light attempt), 2016.Boisbuchet workshop, 2023.Ari, 2021.Shelving System II, 2021.Taco, 2022.Armario Alba, 2018.Brown, 2021.Aloha Freewall workshop, 2022.Mari, 2022.Mesón, 2014.Shelving System IV Groc, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Window Panels, 2018.Mesa Gala, 2019.Mel Gibson, 2015.Frontón, 2017.Carabí, 2022.Shelving System III, 2021.Pre 8, 2018.Bonay Hello, 2015.Red Balls, 2021.Pepa, 2021.Jabalí, 2016.Atico Kitchen, 2019.Trineu FCB, 2018.Mesas Baraja, 2022.Ikea Vitra Vitra Ikea, 2021.Superligera, 2022.Ari's, 2017.Bluejey, 2015.Lucas, 2018.Mana Mana Lima, 2022.Pieza 1 HP, 2005.AOO bag, 2015.HTH, 2020.Colgador Bolas, 2023.Green Kitchen, 2019.Biografia Antoni Arola, 2015.Save tables, 2018.Cama Martín, 2020.Shelving System IV, 2022.Inca, 2021.My Body Office, 2021.Bendita Mesa, 2015.Mesas Atico, 2019.Mesa Camión, 2025.Blau, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.