Designed in 2016
Produced by AOO from 2016 to 2020. Since then, available on demand
Two heights: 60 and 75cm
Toro is a solid wood stool, particularly stable.
Delta edition made of wengue
More Work
And here is a random and condensed selection of various other works completed in recent years:
Bar en una botella, 2023.Pieza 1 HP, 2005.Mesas Atico, 2019.Frontón, 2017.Superligera, 2022.Mari, 2022.Aloha Freewall workshop, 2022.Bluejey, 2015.Ikea Vitra Vitra Ikea, 2021.Taco, 2022.Mesa Elefante, 2018.Mountain, 2016.Pis O, 2017.Rosca (Light attempt), 2016.Mesas Baraja, 2022.AOO bag, 2015.Ari, 2021.Shelving System II, 2021.Gordito, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Red Balls, 2021.Ibon Kitchen, 2018.Silla Arco, 2022.Shelving System IV Groc, 2022.Colgador Bolas, 2023.Bendita Mesa, 2015.Sofa Port, 2018.Inca, 2021.Boisbuchet workshop, 2023.Narrow shop, 2020.Mesa Camión, 2025.Yellow, 2017.Armario Alba, 2018.Peana Ricard, 2021.El Hombre de Sal, 2019.Mesa Gala, 2019.Green Kitchen, 2019.Ping Pong Ping, 2018.Mel Gibson, 2015.Muri, 2015.Mesas de Choque, 2021.Lucas, 2018.Atico Kitchen, 2019.Mana Mana Lima, 2022.Blau, 2022.Jabalí, 2016.Marta, 2020.Carabí, 2022.Pre 8, 2018.Mesarraca, 2019.HTH, 2020.Grada Groga, 2022.Sabadell, 2019.Mesón, 2014.Cama Martín, 2020.Red & Green, 2022.Mesa DAC, 2022.Window Panels, 2018.Biografia Antoni Arola, 2015.Telmo, 2018.Trineu FCB, 2018.Valsells, 2022.Leon, 2022.Shelving System IV, 2022.Brown, 2021.Martín, 2020.Coeurs, 2020.Bonay Hello, 2015.Pepa, 2021.Mesa Port, 2018.Shelving System I, 2019.My Body Office, 2021.Firma Black, 2017.Mesa Forat, 2018.Botijo Baldosa, 2024.Ari's, 2017.Shelving System III, 2021.L Table, 2021.Save tables, 2018.Estantería Atico, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.