Made of blue and green MDF + solid pine handlesUntitledMade of brown MDFMade of poplar plywood
More Work
And here is a random and condensed selection of various other works completed in recent years:
Brown, 2021.Ikea Vitra Vitra Ikea, 2021.Bonay Hello, 2015.L Table, 2021.Superligera, 2022.Taco, 2022.HTH, 2020.Pre 8, 2018.Frontón, 2017.Valsells, 2022.Blau, 2022.Sabadell, 2019.Shelving System IV Groc, 2022.Telmo, 2018.Muri, 2015.Sofa Port, 2018.Peana Ricard, 2021.Mesón, 2014.Save tables, 2018.Lucas, 2018.Rosca (Light attempt), 2016.Inca, 2021.Mesa Port, 2018.Ping Pong Ping, 2018.Marta, 2020.El Hombre de Sal, 2019.Shelving System IV, 2022.Mesa Gala, 2019.Estantería Atico, 2019.Ari's, 2017.Mesas de Choque, 2021.Shelving System III, 2021.AOO bag, 2015.Shelving System I, 2019.Ibon Kitchen, 2018.Mesa Forat, 2018.Yellow, 2017.Mesas Baraja, 2022.Mari, 2022.Boisbuchet workshop, 2023.Trineu FCB, 2018.Aloha Freewall workshop, 2022.Martín, 2020.Mesa DAC, 2022.Jabalí, 2016.Armario Alba, 2018.Firma Black, 2017.Silla Arco, 2022.Carabí, 2022.Bluejey, 2015.Mesas Atico, 2019.Bar en una botella, 2023.Gordito, 2021.Mesa Elefante, 2018.Mesa Camión, 2025.Botijo Baldosa, 2024.Atico Kitchen, 2019.Mountain, 2016.Pieza 1 HP, 2005.Cama Martín, 2020.Coeurs, 2020.Window Panels, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Ari, 2021.Leon, 2022.Shelving System II, 2021.Pepa, 2021.Red & Green, 2022.Red Balls, 2021.Grada Groga, 2022.Pis O, 2017.Green Kitchen, 2019.Mel Gibson, 2015.Colgador Bolas, 2023.Narrow shop, 2020.Mana Mana Lima, 2022.Bendita Mesa, 2015.My Body Office, 2021.Biografia Antoni Arola, 2015.Mesarraca, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.