The Capicua coffee table allows you two views of the same piece of furniture, with a white or black surface, depending on the choice.
The piece is made of a solid oak structure and lacquered MDF tops.
An original version in red and beech was the first model made for a particular client.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesas Baraja, 2022.Mesa Port, 2018.Blau, 2022.Mesa Gala, 2019.Pepa, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Atico Kitchen, 2019.Mari, 2022.Silla Arco, 2022.Ping Pong Ping, 2018.Bonay Hello, 2015.HTH, 2020.Shelving System I, 2019.Narrow shop, 2020.Cama Martín, 2020.Telmo, 2018.Bar en una botella, 2023.Superligera, 2022.L Table, 2021.Mesa DAC, 2022.Mesón, 2014.Jabalí, 2016.Peana Ricard, 2021.Yellow, 2017.Taco, 2022.Firma Black, 2017.Mesa Elefante, 2018.Brown, 2021.Estantería Atico, 2019.Inca, 2021.Mesas Atico, 2019.Pre 8, 2018.Shelving System IV Groc, 2022.Green Kitchen, 2019.Red Balls, 2021.Armario Alba, 2018.Boisbuchet workshop, 2023.Save tables, 2018.Botijo Baldosa, 2024.Ari, 2021.Bendita Mesa, 2015.Muri, 2015.Pieza 1 HP, 2005.Rosca (Light attempt), 2016.Shelving System II, 2021.Mesa Forat, 2018.Ikea Vitra Vitra Ikea, 2021.Marta, 2020.Ari's, 2017.Sabadell, 2019.Colgador Bolas, 2023.Red & Green, 2022.Carabí, 2022.Biografia Antoni Arola, 2015.Trineu FCB, 2018.Mountain, 2016.Shelving System IV, 2022.El Hombre de Sal, 2019.Mel Gibson, 2015.Sofa Port, 2018.Mesa Camión, 2025.Valsells, 2022.Mesarraca, 2019.Pis O, 2017.Leon, 2022.My Body Office, 2021.Lucas, 2018.Mesas de Choque, 2021.Coeurs, 2020.AOO bag, 2015.Frontón, 2017.Ibon Kitchen, 2018.Shelving System III, 2021.Gordito, 2021.Mana Mana Lima, 2022.Aloha Freewall workshop, 2022.Bluejey, 2015.Grada Groga, 2022.Martín, 2020.Window Panels, 2018.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.