And here is a random and condensed selection of various other works completed in recent years:
Blau, 2022.Mesas de Choque, 2021.Marta, 2020.Ari, 2021.Gordito, 2021.Inca, 2021.Mesa Port, 2018.El Hombre de Sal, 2019.Biografia Antoni Arola, 2015.Bonay Hello, 2015.Martín, 2020.Armario Alba, 2018.Mesa Elefante, 2018.Mesa Gala, 2019.Narrow shop, 2020.Taco, 2022.Shelving System II, 2021.Coeurs, 2020.Grada Groga, 2022.AOO bag, 2015.Lucas, 2018.Sabadell, 2019.L Table, 2021.Sofa Port, 2018.Muri, 2015.Leon, 2022.Shelving System IV Groc, 2022.Trineu FCB, 2018.Ibon Kitchen, 2018.Colgador Bolas, 2023.Save tables, 2018.Mesón, 2014.Boisbuchet workshop, 2023.Pre 8, 2018.Shelving System III, 2021.Pepa, 2021.Bluejey, 2015.Mesas Baraja, 2022.Mountain, 2016.Mesa Forat, 2018.Atico Kitchen, 2019.Cama Martín, 2020.Rosca (Light attempt), 2016.Mesa Camión, 2025.Bendita Mesa, 2015.Mel Gibson, 2015.Jabalí, 2016.Silla Arco, 2022.Pieza 1 HP, 2005.My Body Office, 2021.Mana Mana Lima, 2022.Superligera, 2022.Firma Black, 2017.Ari's, 2017.Yellow, 2017.Frontón, 2017.Ping Pong Ping, 2018.Mesa DAC, 2022.Red Balls, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Green Kitchen, 2019.Mari, 2022.Window Panels, 2018.Brown, 2021.Shelving System I, 2019.Valsells, 2022.Mesarraca, 2019.Telmo, 2018.Estantería Atico, 2019.Red & Green, 2022.Bar en una botella, 2023.Shelving System IV, 2022.Aloha Freewall workshop, 2022.Ikea Vitra Vitra Ikea, 2021.Mesas Atico, 2019.Peana Ricard, 2021.Pis O, 2017.HTH, 2020.Botijo Baldosa, 2024.Carabí, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.