Red and Blue and Yellow and Black versionButaca 8 and Ottoman 8 NaturalBeech version
More Work
And here is a random and condensed selection of various other works completed in recent years:
Taco, 2022.Bonay Hello, 2015.Inca, 2021.Mesas Atico, 2019.Yellow, 2017.Valsells, 2022.Sofa Port, 2018.Mesas Baraja, 2022.Blau, 2022.Sabadell, 2019.Rosca (Light attempt), 2016.Pre 8, 2018.Pepa, 2021.Armario Alba, 2018.Ari's, 2017.Pieza 1 HP, 2005.Save tables, 2018.Cama Martín, 2020.My Body Office, 2021.Mountain, 2016.Bar en una botella, 2023.Ari, 2021.Estantería Atico, 2019.Ibon Kitchen, 2018.Silla Arco, 2022.Ikea Vitra Vitra Ikea, 2021.Grada Groga, 2022.Mel Gibson, 2015.Shelving System II, 2021.AOO bag, 2015.Carabí, 2022.Mari, 2022.L Table, 2021.Narrow shop, 2020.Frontón, 2017.Trineu FCB, 2018.Telmo, 2018.Bluejey, 2015.Window Panels, 2018.Mesas de Choque, 2021.Shelving System I, 2019.Red Balls, 2021.Green Kitchen, 2019.Mesa Port, 2018.HTH, 2020.Muri, 2015.Mesón, 2014.Lucas, 2018.Mesa Forat, 2018.Shelving System IV Groc, 2022.Jabalí, 2016.Biografia Antoni Arola, 2015.Martín, 2020.Coeurs, 2020.Bendita Mesa, 2015.Mesa DAC, 2022.Gordito, 2021.Atico Kitchen, 2019.Pis O, 2017.Peana Ricard, 2021.Ping Pong Ping, 2018.Superligera, 2022.Mesa Elefante, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Boisbuchet workshop, 2023.Colgador Bolas, 2023.Mesarraca, 2019.Mana Mana Lima, 2022.Firma Black, 2017.Six Pack, 2024.Shelving System III, 2021.Red & Green, 2022.Mesa Camión, 2025.Aloha Freewall workshop, 2022.Shelving System IV, 2022.El Hombre de Sal, 2019.Leon, 2022.Marta, 2020.Botijo Baldosa, 2024.Mesa Gala, 2019.Brown, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.