And here is a random and condensed selection of various other works completed in recent years:
Ikea Vitra Vitra Ikea, 2021.Mesa Camión, 2025.Carabí, 2022.Mari, 2022.Frontón, 2017.Ibon Kitchen, 2018.Mesa Port, 2018.My Body Office, 2021.Jabalí, 2016.Yellow, 2017.HTH, 2020.AOO bag, 2015.Shelving System III, 2021.Mesa Elefante, 2018.Shelving System IV, 2022.Gordito, 2021.Biografia Antoni Arola, 2015.Rosca (Light attempt), 2016.Shelving System IV Groc, 2022.Mesa Gala, 2019.Peana Ricard, 2021.Marta, 2020.Ari's, 2017.Colgador Bolas, 2023.Inca, 2021.Mesa Forat, 2018.Leon, 2022.Botijo Baldosa, 2024.Aloha Freewall workshop, 2022.Cama Martín, 2020.Superligera, 2022.Taco, 2022.Ari, 2021.Grada Groga, 2022.Mesarraca, 2019.Firma Black, 2017.Telmo, 2018.Brown, 2021.Trineu FCB, 2018.Shelving System I, 2019.Bluejey, 2015.Pis O, 2017.Armario Alba, 2018.Muri, 2015.Mel Gibson, 2015.Mesas de Choque, 2021.Green Kitchen, 2019.Silla Arco, 2022.Red Balls, 2021.Boisbuchet workshop, 2023.Sabadell, 2019.Bonay Hello, 2015.Mesón, 2014.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mountain, 2016.Martín, 2020.Bendita Mesa, 2015.Estantería Atico, 2019.Atico Kitchen, 2019.Pre 8, 2018.Mesas Atico, 2019.L Table, 2021.Lucas, 2018.Mesas Baraja, 2022.Red & Green, 2022.El Hombre de Sal, 2019.Narrow shop, 2020.Mesa DAC, 2022.Valsells, 2022.Mana Mana Lima, 2022.Pieza 1 HP, 2005.Coeurs, 2020.Pepa, 2021.Bar en una botella, 2023.Blau, 2022.Sofa Port, 2018.Window Panels, 2018.Ping Pong Ping, 2018.Shelving System II, 2021.Save tables, 2018.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.