Estantería Palma is made of solid oak and steel rods. It’s easy to assemble and place the shelves at the desired level.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesas Baraja, 2022.Mesa Gala, 2019.Green Kitchen, 2019.Mel Gibson, 2015.AOO bag, 2015.My Body Office, 2021.El Hombre de Sal, 2019.Taco, 2022.Martín, 2020.Window Panels, 2018.L Table, 2021.Carabí, 2022.Aloha Freewall workshop, 2022.Superligera, 2022.Mesón, 2014.Mesas de Choque, 2021.Valsells, 2022.Mountain, 2016.Mari, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Coeurs, 2020.Inca, 2021.Pieza 1 HP, 2005.Mana Mana Lima, 2022.Ari's, 2017.Bendita Mesa, 2015.Frontón, 2017.Bluejey, 2015.Muri, 2015.Red & Green, 2022.Leon, 2022.Botijo Baldosa, 2024.Jabalí, 2016.Trineu FCB, 2018.Sofa Port, 2018.Pis O, 2017.Sabadell, 2019.Peana Ricard, 2021.Mesa Forat, 2018.Shelving System IV Groc, 2022.Ikea Vitra Vitra Ikea, 2021.Ibon Kitchen, 2018.Pepa, 2021.Ping Pong Ping, 2018.Cama Martín, 2020.Colgador Bolas, 2023.Pre 8, 2018.Rosca (Light attempt), 2016.Save tables, 2018.Shelving System I, 2019.Telmo, 2018.Atico Kitchen, 2019.Boisbuchet workshop, 2023.Mesa Camión, 2025.Bar en una botella, 2023.Firma Black, 2017.Blau, 2022.Yellow, 2017.Shelving System III, 2021.Narrow shop, 2020.Gordito, 2021.Bonay Hello, 2015.Marta, 2020.Mesa DAC, 2022.HTH, 2020.Biografia Antoni Arola, 2015.Grada Groga, 2022.Mesa Elefante, 2018.Silla Arco, 2022.Shelving System IV, 2022.Mesarraca, 2019.Mesa Port, 2018.Armario Alba, 2018.Ari, 2021.Lucas, 2018.Estantería Atico, 2019.Mesas Atico, 2019.Red Balls, 2021.Brown, 2021.Shelving System II, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.