Year: 2014
Produced by AOO from 2014 to 2020. Since then, available on demand
Delta version made of wengueNatural, grey and white basic versionsNew York settingChicago settingLos Angeles settingNormales was a previous collection of basic pieces that inspired the final version of the 3MONormales collection had a cable-rollUrna conejera para Andreu y Berto en NSN.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesa Port, 2018.Bluejey, 2015.Firma Black, 2017.Shelving System II, 2021.Mana Mana Lima, 2022.Carabí, 2022.Leon, 2022.Brown, 2021.Bar en una botella, 2023.El Hombre de Sal, 2019.Mesas Atico, 2019.Cama Martín, 2020.Shelving System III, 2021.AOO bag, 2015.Ping Pong Ping, 2018.Grada Groga, 2022.Bonay Hello, 2015.Green Kitchen, 2019.Six Pack, 2024.Mesa Elefante, 2018.Save tables, 2018.Pieza 1 HP, 2005.Superligera, 2022.Ari, 2021.Ikea Vitra Vitra Ikea, 2021.Window Panels, 2018.Armario Alba, 2018.Valsells, 2022.Sofa Port, 2018.Colgador Bolas, 2023.Mesas de Choque, 2021.Bendita Mesa, 2015.Peana Ricard, 2021.Silla Arco, 2022.Yellow, 2017.Coeurs, 2020.Pepa, 2021.Boisbuchet workshop, 2023.Botijo Baldosa, 2024.Mesón, 2014.Mesa Forat, 2018.Biografia Antoni Arola, 2015.Mesa Gala, 2019.Rosca (Light attempt), 2016.My Body Office, 2021.Mesarraca, 2019.Mesa Camión, 2025.Inca, 2021.Shelving System I, 2019.Ibon Kitchen, 2018.Sabadell, 2019.Telmo, 2018.Estantería Atico, 2019.HTH, 2020.Pis O, 2017.Blau, 2022.Ari's, 2017.Red & Green, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).L Table, 2021.Marta, 2020.Mountain, 2016.Taco, 2022.Frontón, 2017.Aloha Freewall workshop, 2022.Muri, 2015.Jabalí, 2016.Gordito, 2021.Red Balls, 2021.Trineu FCB, 2018.Mari, 2022.Shelving System IV, 2022.Lucas, 2018.Shelving System IV Groc, 2022.Mesa DAC, 2022.Narrow shop, 2020.Mesas Baraja, 2022.Atico Kitchen, 2019.Pre 8, 2018.Mel Gibson, 2015.Martín, 2020.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.