Cadira is a DIY chair made of solid pine, using the same wooden slat (20x60mm).
Cadireta was the little chair that came before the CadiraIllustration by Robbie Whitehead
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesa Gala, 2019.Red Balls, 2021.Valsells, 2022.Ari, 2021.Botijo Baldosa, 2024.Coeurs, 2020.Pepa, 2021.Mesarraca, 2019.Mesa Forat, 2018.Estantería Atico, 2019.Ibon Kitchen, 2018.Mesas Baraja, 2022.Gordito, 2021.Blau, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Bluejey, 2015.Aloha Freewall workshop, 2022.Peana Ricard, 2021.Red & Green, 2022.Boisbuchet workshop, 2023.Bonay Hello, 2015.Leon, 2022.Pre 8, 2018.L Table, 2021.Atico Kitchen, 2019.Narrow shop, 2020.Carabí, 2022.Shelving System IV Groc, 2022.El Hombre de Sal, 2019.Save tables, 2018.Trineu FCB, 2018.Mesa Elefante, 2018.Mesón, 2014.Sofa Port, 2018.Shelving System II, 2021.Lucas, 2018.Marta, 2020.Window Panels, 2018.Firma Black, 2017.Mana Mana Lima, 2022.Muri, 2015.Mesas de Choque, 2021.Telmo, 2018.Pis O, 2017.Sabadell, 2019.Mesa DAC, 2022.Shelving System I, 2019.AOO bag, 2015.Colgador Bolas, 2023.Martín, 2020.Shelving System III, 2021.Cama Martín, 2020.Yellow, 2017.Green Kitchen, 2019.Jabalí, 2016.HTH, 2020.Brown, 2021.Rosca (Light attempt), 2016.Ping Pong Ping, 2018.Grada Groga, 2022.Mesa Port, 2018.Frontón, 2017.Biografia Antoni Arola, 2015.Silla Arco, 2022.Bar en una botella, 2023.Mountain, 2016.Mesa Camión, 2025.Ari's, 2017.Pieza 1 HP, 2005.Armario Alba, 2018.Taco, 2022.Mari, 2022.Superligera, 2022.Ikea Vitra Vitra Ikea, 2021.Shelving System IV, 2022.Mesas Atico, 2019.Inca, 2021.My Body Office, 2021.Bendita Mesa, 2015.Mel Gibson, 2015.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.