Designed in 2016
Produced by AOO from 2016 to 2020. Since then, available on demand
Two heights: 60 and 75cm
Toro is a solid wood stool, particularly stable.
Delta edition made of wengue
More Work
And here is a random and condensed selection of various other works completed in recent years:
Red Balls, 2021.Bar en una botella, 2023.Biografia Antoni Arola, 2015.Bendita Mesa, 2015.Valsells, 2022.Bonay Hello, 2015.Mesas Atico, 2019.Mountain, 2016.Blau, 2022.Bluejey, 2015.Armario Alba, 2018.Telmo, 2018.Brown, 2021.El Hombre de Sal, 2019.Ari's, 2017.Mesa DAC, 2022.Estantería Atico, 2019.Mesa Port, 2018.Martín, 2020.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Ibon Kitchen, 2018.Mesas Baraja, 2022.Mesa Gala, 2019.Green Kitchen, 2019.Marta, 2020.Shelving System IV Groc, 2022.Mesarraca, 2019.Mesa Forat, 2018.Leon, 2022.Frontón, 2017.Yellow, 2017.Rosca (Light attempt), 2016.Silla Arco, 2022.Mari, 2022.Pieza 1 HP, 2005.Aloha Freewall workshop, 2022.Red & Green, 2022.Superligera, 2022.Taco, 2022.L Table, 2021.Pis O, 2017.Ikea Vitra Vitra Ikea, 2021.Botijo Baldosa, 2024.Muri, 2015.Shelving System IV, 2022.Shelving System III, 2021.Peana Ricard, 2021.Shelving System I, 2019.Pre 8, 2018.HTH, 2020.Boisbuchet workshop, 2023.Atico Kitchen, 2019.Cama Martín, 2020.Shelving System II, 2021.Inca, 2021.Carabí, 2022.Grada Groga, 2022.Coeurs, 2020.Narrow shop, 2020.Mesa Camión, 2025.AOO bag, 2015.Lucas, 2018.My Body Office, 2021.Mesas de Choque, 2021.Mel Gibson, 2015.Gordito, 2021.Sabadell, 2019.Colgador Bolas, 2023.Window Panels, 2018.Firma Black, 2017.Save tables, 2018.Mana Mana Lima, 2022.Ping Pong Ping, 2018.Trineu FCB, 2018.Jabalí, 2016.Ari, 2021.Sofa Port, 2018.Pepa, 2021.Mesón, 2014.Mesa Elefante, 2018.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.