And here is a random and condensed selection of various other works completed in recent years:
Ibon Kitchen, 2018.Mari, 2022.Firma Black, 2017.Mana Mana Lima, 2022.My Body Office, 2021.Save tables, 2018.Pis O, 2017.Green Kitchen, 2019.Sofa Port, 2018.Trineu FCB, 2018.Cama Martín, 2020.Mesas Baraja, 2022.Rosca (Light attempt), 2016.Red & Green, 2022.Shelving System II, 2021.Ari's, 2017.Coeurs, 2020.Mesa Elefante, 2018.Mesa Forat, 2018.Mesa Camión, 2025.Marta, 2020.Shelving System IV Groc, 2022.El Hombre de Sal, 2019.Frontón, 2017.Taco, 2022.Pepa, 2021.Mesón, 2014.AOO bag, 2015.Jabalí, 2016.Carabí, 2022.Colgador Bolas, 2023.Mesa DAC, 2022.Bendita Mesa, 2015.L Table, 2021.Mountain, 2016.Blau, 2022.Biografia Antoni Arola, 2015.Red Balls, 2021.Window Panels, 2018.Yellow, 2017.Shelving System IV, 2022.Mesarraca, 2019.Mesa Gala, 2019.Bluejey, 2015.Bar en una botella, 2023.Botijo Baldosa, 2024.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Leon, 2022.Pieza 1 HP, 2005.Armario Alba, 2018.Mesa Port, 2018.Peana Ricard, 2021.Telmo, 2018.Mel Gibson, 2015.Boisbuchet workshop, 2023.Brown, 2021.Lucas, 2018.Pre 8, 2018.Inca, 2021.Ikea Vitra Vitra Ikea, 2021.Aloha Freewall workshop, 2022.Muri, 2015.Shelving System I, 2019.Silla Arco, 2022.Bonay Hello, 2015.Shelving System III, 2021.Valsells, 2022.Narrow shop, 2020.HTH, 2020.Mesas Atico, 2019.Mesas de Choque, 2021.Superligera, 2022.Atico Kitchen, 2019.Gordito, 2021.Ari, 2021.Martín, 2020.Ping Pong Ping, 2018.Sabadell, 2019.Grada Groga, 2022.Estantería Atico, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.