Year: 2015
Produced by AOO from 2015 to 2020. Since then, available on demand
ATA is a bench system made up of 2 A-shaped leg structures that are joined to a T-shaped beam that can measure from 60 to 220cm in length.
Basic version is made of solid pineSpecial version lacquered in green for the Posidonia projectThe first and original version has beech legs and a pine beamDelta version made of wengue1st ATA drawing
More Work
And here is a random and condensed selection of various other works completed in recent years:
Window Panels, 2018.Valsells, 2022.Pepa, 2021.Ari, 2021.Jabalí, 2016.Pre 8, 2018.Mesas de Choque, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Boisbuchet workshop, 2023.Cama Martín, 2020.Estantería Atico, 2019.Mesa DAC, 2022.Mana Mana Lima, 2022.AOO bag, 2015.Coeurs, 2020.Yellow, 2017.Colgador Bolas, 2023.L Table, 2021.Pieza 1 HP, 2005.Muri, 2015.Shelving System IV Groc, 2022.Grada Groga, 2022.Biografia Antoni Arola, 2015.Gordito, 2021.Shelving System III, 2021.Red Balls, 2021.Bar en una botella, 2023.Mesas Baraja, 2022.Mesa Gala, 2019.Taco, 2022.Shelving System IV, 2022.Save tables, 2018.Atico Kitchen, 2019.Frontón, 2017.Ping Pong Ping, 2018.Green Kitchen, 2019.Sofa Port, 2018.Mesón, 2014.Ari's, 2017.Trineu FCB, 2018.Rosca (Light attempt), 2016.Botijo Baldosa, 2024.Mountain, 2016.Aloha Freewall workshop, 2022.Mesa Elefante, 2018.Red & Green, 2022.Silla Arco, 2022.El Hombre de Sal, 2019.Carabí, 2022.Telmo, 2018.Ibon Kitchen, 2018.Ikea Vitra Vitra Ikea, 2021.Sabadell, 2019.Bonay Hello, 2015.Mesa Camión, 2025.Firma Black, 2017.Armario Alba, 2018.Shelving System II, 2021.Blau, 2022.Mesas Atico, 2019.Bluejey, 2015.Brown, 2021.Peana Ricard, 2021.Leon, 2022.Shelving System I, 2019.Mari, 2022.Martín, 2020.Narrow shop, 2020.Mel Gibson, 2015.Marta, 2020.Bendita Mesa, 2015.Lucas, 2018.Pis O, 2017.Mesarraca, 2019.Inca, 2021.HTH, 2020.Mesa Forat, 2018.Mesa Port, 2018.Superligera, 2022.My Body Office, 2021.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.